Wednesday 30 November 2016

Preparation for NET/JRF - 14

Topics so far –


Now –

14. The Age of Classicism

Next –

15. The Transition Age
16. The Romantic Age 

The Age of Classicism – 1702 to 1740

The literary career of Pope forms the axis of this age. One might therefore consider it as roughly ending a few years before his death, about 1740. From 1702 to 1740 there reigns the relative unity of a literary age. Its general traits originate in those of the Restoration, which they continue, accentuate and also in reaction modify.

The Classical School of Poetry: Pope

Alexander Pope was, like Dryden after 1685, a Catholic, and therefore an outsider in the Protestant-dominated society of the early eighteenth century. The two men were, however, of totally different generations and background. Pope was 12 when Dryden died, and was suffering from the spinal disease which left him deformed and sickly for the rest of his life.

Pope had, in common with Dryden, considerable success in translating Greek and Latin classics – especially Homer – into English, and also prepared a noted, if flawed, edition of Shakespeare, in 1725. But he never engaged in serious political, philosophical, and religious debate on the scale that Dryden achieved. Perhaps because of his poor health, Pope was something of a recluse, but he was very involved in high society, and took sides on most of the political issues of his day. His satires are full of savage invective against real or imagined enemies. Pope’s sphere was social and intellectual. The Rape of the Lock (1712–14), written when he was in his mid-twenties, is the essence of the mock heroic. It makes a family quarrel, over a lock of hair, into the subject of a playful poem full of paradoxes and witty observations on the self-regarding world it depicts, as the stolen lock is transported to the heavens to become a new star. ‘Fair tresses man’s imperial race insnare’ makes Belinda’s hair an

Monday 28 November 2016

Literary Rendezvous at JBAS College, Chennai


At [long] last! The long and patient wait is finally over!

After an uphill task spending sleepless nights for the past three weeks over pages and pages of manuscripts, for an error-free and a pleasant reading experience, we made sure the manuscripts got their delightful due in printed form, with a beautiful cover design, ready for a grand release at the International Conference in JBAS College for Women, Chennai.

We invite you all for this wonderful confy which hosts two great International speakers, among an ensemble of our own eminent literary stalwarts, coupled with the much awaited book release event too! 

The first book is titled, Critical Explorations in Canadian Literature, while the second book, Multicultural Inclusivity in Literary and Social Media: Critical Explorations is a festschrift in honour of Professor N. Natarajan, Head, Department of English, Pondicherry University.

To all of you who gave us a helping hand in the typo-check, proof-reading, etc, and to the wonderful people at the DTP, who were so obliging in every stage of the development of these books, and to all our friends, colleagues, students, and well-wishers, who made this endeavour possible, thank you so much!

We also profusely thank Messrs G. K. Publishers, Chennai, for their wonderful and exemplary work in the elegant cover design, vibrant page layout and excellent formatting/typesetting.

These two books, among a host of three other books will be released on 29 November 2016 by
Dr. Daniel Drache,
Robarts Centre for Canadian Studies, York University, Canada
&
Dr. Sigma Ankrava, Head, Faculty of Humanities, University of Latvia, Latvia

in the presence of
Mr. Moosa Raza
Mrs. Shabina Fareed
Professor N. Natarajan
Professor Noel Joseph Irudayaraj
Dr. T. Marx
and a host of other eminent literary stalwarts.

Lectures by eminent stalwarts will be delivered on the following topics:
Racism and Multi- Culturalism in Canada
Human Mind: Freud, Levi Strauss and Lacan
Formation of Latvian Literature as Indigenous Literature

Sunday 27 November 2016

PhD Programme for Students @ Aberdeen

AHRC-sponsored PhD Programme for Students @ Aberdeen

French and Francophone Studies at Aberdeen welcomes applications for studentships to pursue PhDs, through the AHRC-funded Scottish Graduate School for the Arts and Humanities (SGSAH).

The SGSAH offers the opportunity to work with a range of partner organisations, including BBC Scotland, and Scotland’s National Galleries, Library and Museums. The University of Aberdeen will also be offering its own fees-only Elphinstone PhD Scholarships for 2017/18.

Aberdeen has research expertise across French and Francophone Studies, including:

Cultural and intellectual history of the seventeenth and eighteenth centuries
Literature and science in the nineteenth century
Visual culture, film and photography from the early twentieth century to the present
Urban space and the cultural history of French modernity
The politics and culture of identity and migration in contemporary Francophone culture

Saturday 26 November 2016

Poetry with Prakriti in November

Poets Translating Poets is a two-year-long project initiated in July 2015 by the Goethe-Institut-Mumbai, in collaboration with Literaturwerkstatt Berlin and in Cooperation with Deutsche UNESCO, with an aim to create a platform for poets from South Asia and Germany to translate each other’s works.

Poetry festival in Mumbai and Chennai in November 2016

Contemporary poetry from Bangladesh, Pakistan, India and Sri Lanka will be translated into German by well-known German poets, while German poetry will be similarly translated into South Asian languages during the course of the project. By bringing together 51 poets including 17 German poets from across 20 languages through literary encounters in several South Asian locations, this project promises to stimulate new literary networks and open new avenues for transcultural understanding. The project will also include readings, book fairs, photo essays and a sound installation in South Asia and Germany, and will culminate in a Poetry festival in Mumbai and Chennai in November 2016.

@ MCC: The Annual 'Poetry with Prakriti @ MCC' will be held on 29, 30 November & 01 & 02 December 2016 in the Selaiyur Hall Indoor Theatre, between 10 am and 11.30 am.

For more details on the Poets for 29th & 30th November 2016, at the University of Madras, Chennai, click HERE

Confy Call for Students/Research Scholars @ St. Xavier's


The Research Dept. of English of St. Xavier’s College, Palayamkottai, Tamil Nadu, is organizing a National Conference on 6th & 7th February 2017 in order to help Research Guides and Research Scholars provide a theoretical framework to their research projects. The topic is “Texts as Con-Texts: The Hermeneutic Circle Today.”

The Resource Persons will deliver lectures on critical theory; the Participants will present papers on literature written in any part of the world, providing a theoretical framework to their arguments.

A comparative study of two or more authors/works is appreciated. The ultimate aim is to transcend narrow boundaries, perceiving a universal poetics based on confluence of cultures.

Confy Brochure Part I HERE
Confy Brochure Part II HERE
Conference Regn Form HERE

This invite is on behalf of - 
Dr. V. S. Joseph Albert
Deputy Principal & Associate Professor of English
St. Xavier’s College (Autonomous)
Palayamkottai—627002
Tamil Nadu

Friday 25 November 2016

On 'Digital Narratives' @ University of Madras

Dear Colleagues, Students and Friends,

One of our dynamic faculty friends from the UK will visit us and deliver a lecture on Friday, 02 December 2016. 

You are most welcome to join us in the Department of English, University of Madras, at 2 pm.

Topic of the Lecture: Digital Narratives: The Changing Face of Creative Non-Fiction

In the last decade, creative non-fiction — known also as literary journalism or simply ‘longform’—has seen significant changes. 

Much of the genre is published online today, as digital narratives, and stories traditionally told by way of the written word have come to include more and more multimedia elements. The emphasis now is on providing the reader an ‘immersive experience’. This lecture looks at that evolution, juxtaposing it against the transmedia storytelling playing out particularly in the world of fiction.

About the Speaker: Dr Chindu Sreedharan is a Senior Lecturer in the School of Journalism, English and Communication at Bournemouth University, England. He holds a PhD in Conflict Reporting. He is interested in social media and creative non-fiction, and is particularly fascinated by the intersection of journalism and literature. 

A former journalist, Dr Sreedharan is an experimental storyteller, interested in digital narratives, particularly in stories on social media. While his current projects relate to 360-degree stories and multimodality on Steller, he is best known for Epic Retold, an experimental novel written on Twitter, and published by Harper Collins. Dr Sreedharan heads Connect India, BU’s global outreach hub for engaging with South Asia.

Wednesday 23 November 2016

The Department of English
Justice Basheer Ahmed Sayeed College for Women
(Autonomous) Chennai - 600 018
[College with Potential for Excellence]
in collaboration with
Centre for Canadian Studies
& the Department of English
University of Madras
cordially invite you to the 
International Conference 
on
Imaging and Imagining Literatures and
Cultures: India, Canada and Latvia
on 
29 November, 2016 at 10.00 a.m.

in the JBAS College Auditorium, Chennai
For more details, click on the link HERE

Preparation for NET/JRF English - 13

Topics so far –


Now –

13. The Restoration – 1660 to 1702

Next –

14. The Age of Classicism – 1702 to 1740

The Restoration – 1660 to 1702


Introduction

In restoring the monarchy with King Charles II, the Restoration replaced Cromwell’s Commonwealth and its Puritan ethos with an almost powerless monarch whose tastes had been formed in France.

It also replaced the power of the monarchy with the power of a parliamentary system – which was to develop into the two parties, Whigs and Tories – with most of the executive power in the hands of the Prime Minister. Both parties benefited from a system which encouraged social stability rather than opposition.

Hence the post-Restoration period is often set up as the converse and antithesis of the previous Elizabethan age. It is called classical, as opposed to the Elizabethan romanticism. Though the contrast between the two epochs need not be over-emphasized, yet the differences are very great.

Three historical events deeply influenced the literary movements of the time: the Restoration of the year 1660; the Roman Catholic controversy that raged during the latter half of Charles II’s reign; and the Revolution of the year 1688.

Friday 18 November 2016

A memorable Eco-tour down the Coastal highway!

The moment our trekkers' collective 'collectively' decided and agreed upon a coastal zone eco-tour for our ‘trip of the month’, spanning the coastal zone of Tamil Nadu and Puducherry, we were promptly whatsapped an extensive list of to-do’s by our 'concerned' tour coordinator Ms. Deepa that included packing good footwear – water-shoes and sandals included - swimwear, sunscreen lotions, sunglasses and hats, with handy towels and of course some good snacks that can keep your appetite on check!.

Geared up thus, we were ‘on the go’ on a dawny-dawny delightful morn this last Monday, mazing our way through a dazzling array of beautiful villages and hamlets that dutifully gifted us all the way through, with their bountiful surplus reserves of rich, breezy and spotless air, which proved therapeutic and invigorating in every way, all the way!

Well, we meandered our way through beautiful bridges, bungalows and beaches, all along our coastal drive through hickety hedges, vulnerable ditches, bullock carts chugging away on the roads, cattle with sparrows perched regally on their backs grazing in the sylvan meadows and yes… added to all these was the charm of having a cuppa hot piping coffee and local delights from the village chaai wala who gave you the local taste in all its toothsome grandeur.

through the mangroves
After a four-hour scenic drive with joyous pitstops at regular intervals, we finally reached our first eco-tourist locale – the delectable Pichavaram Mangrove forests of yore. These mangrove forests are - wonder of wonders – the second largest mangrove forests in the entire world, next only to the mighty Sundarbans, and interestingly, in these huge backwaters here that take in water from the ocean during the day and let out water during the evenings, watersports, rowing, canoeing are quite popular.

When you go on an Eco-tour, especially to such an awesome locale, the most important thing you’ve got to look out for, is the guide – a person who could interact with you as a good long-time friend, giving you all the required information on the ecological marvels that are so unique to the place, and the factors that have contributed to the preservation of the locale. And this guide would obviously be one amongst the locals, who abounds with knowledge of the lore of the mangroves, the tides, the flora and the fauna, the water currents, and what not! 

Thursday 17 November 2016

Conference on Transgenders @ Gandhigram

The Gandhigram Rural Institute, Dindigul, is organising a conference on “Literature of the Transgenders” on 30, 31 January 2016.

The conference aims at foregrounding the literatures of the transgenders that is emerging in recent times. The need to acknowledge the emerging gamut of writing from transgenders both by the academia and by the society becomes inevitable as the texts reflect the most vulnerable segments of the society. This has led us to contemplate on the need for the conduct of this seminar. The immediacy of the issue and the radical articulation of the transgenders did encourage the organisers to call for this seminar.

Crucially, what the organisers found most pressing was the western thought of bringing into one umbrella the issues of transgenders along with the Lesbian, Gay and Bi-sexual. This co- mingling of varied spheres needs addressing, while the Lesbian, Gay and Bi-sexual is an orientation in their behaviour due to various reasons, the Transgenders have a greater need to be seen differently as it is not their sexual orientation that demands attention but the lack of choice in their being transgenders that is most important.

Hence this seminar aims at called for focused discussions and academic and activist interactions along with writers to enable the academia, the student community and the society to reorient themselves positively towards the transgenders.

For the brochure click HERE
Concept Note HERE

and the Registration Form HERE

Wednesday 16 November 2016

CALL FOR RESEARCH PAPERS

CALL FOR RESEARCH PAPERS ON ECO- LITERATURE/ ECOCRITICISM

Original Research Papers are invited for a Refereed anthology on Eco-literature/Ecocriticism. The volume will be published with an ISBN (International Standard Book Number) by a renowned publisher. Authentic, scholarly and unpublished research papers are invited from researchers, Lecturers, Assistant Professors, Associate Professors and Professors from all over the world for this volume. The researcher should apply eco-theory to a select Author.

The following are to be adhered
Ø  Paper size: A4
Ø  Title of the paper: Sentence case (Capitalize each word), centered.
Ø  Font & size: Times New Roman 12.
Ø  Spacing: 1.5.
Ø  References: Please follow MLA Handbook strictly. Don’t use Foot Notes, Use End Notes
Ø  Titles of books: Italics.
Ø  Articles should be submitted as MS Word attachments only.
Ø  The paper should be around 15-20 pages in 1.5 spacing.
Ø  Each paper must be accompanied by

Preparation for NET/JRF English - 12

Topics so far –


Now – 

12. Shakespeare’s Successors

Next –

13. Restoration Period in Literature

12. Shakespeare’s Successors

[DRAMA, PROSE & POETRY under Charles I & The Commonwealth Period]

Drama under Charles I & The Commonwealth Period

The playwrights of whom we still have to speak belong to the reign of Charles I and should therefore have place in the next book of this history. But they are so entangled with their predecessors that they cannot easily be separated from them. To study them is to continue the earlier subject. It therefore seems bet to pursue the study of the dram uninterrupted until the theatres were closed.

Philip Massinger – The playwright who, after Fletcher, dominated the stage by the number and quality of his plays, had long worked with him as a subordinate. Massinger was a composite of Fletcher and Johnson.

Massinger began his career as a collaborator with older, better-known dramatists, and especially with Fletcher, whose influence over him was strong. Among his best-known plays are his comedies, A New Way to Pay Old Debts and The City Madam, and his tragedies, the Duke of Milaine and The Unnatural Combat. His finest qualities are the fluency and vitality of his blank verse, the clarity and strength of his plot construction, and his fine theatre sense. His characters (with one or two notable exceptions, like Sir Giles Overreach in A New Way to Pay Old Debts, and Luke Frugal in The City Madam) are usually types rather than individuals, and in situation, theatrical device, and characterization, he has a fondness for repetition which is a serious weakness. The shallow, boldly drawn characters often place too great a strain upon our credulity--his villains are villainous, and his women shameless, to an incredible degree. Predominantly serious in temper, Massinger often deals with the political issues of his day. He seems to lack real humour, and the comic garb can sit rather uneasily upon him. Philip Massinger’s A New Way to Pay Old Debts (1625–26) remained one of the most popular social comedies for more than two hundred years. The theme of class superiority (the upper class, and the rising mercantile middle class) begins to be popular here, and will assume greater and greater prominence in the literature of the eighteenth century.

With characters like Greedy and Frank Wellborn, Massinger’s play brings the city comedy (here set near Nottingham) to new heights; in Sir Giles Overreach – ‘a cruel extortioner’ – it created one of the great comic roles.

Wednesday 9 November 2016

Preparation for NET/JRF English - 11

Topics so far –


Now –

11. Shakespeare’s Contemporaries

Next –

12. Shakespeare’s Successors
13. The Closing of the Theatres
14. Literature under Charles I and the Commonwealth

11. Shakespeare’s Contemporaries

Shakespeare’s contemporaries wrote plays mostly in collaboration with their peers. The prominent contemporaries of Shakespeare are –

George Chapman
Ben Jonson
John Marston
Thomas Dekker
Thomas Heywood
Thomas Middleton
Cyril Tourneur
John Webster
John Fletcher

George Chapman

Dramatist, poet, and distinguished translator, George Chapman embodied the Renaissance ideal of the sophisticated man of letters. Many critics consider his translations of Homer’s Iliad and Odyssey his most important achievement.

With Prince Henry as his patron, Chapman continued composing dramas, including his last major comedy, Eastward Ho, [written in collaboration with Ben Jonson and John Marston]. The play’s sarcastic political insults against policies favored by James I resulted in swift imprisonment for Chapman and Jonson, though both were soon released. Afterward, Chapman turned to writing tragedy. His best-known works from this period are Bussy D’Ambois and the two-part The Conspiracy and Tragedy of Charles, Duke of Byron.

His translation of the first twelve books of the Iliad appeared in 1609, prefaced by a dedication to Prince Henry, who had endorsed the work with a promise of three hundred pounds and a pension. However, when the young prince died suddenly in 1612, the prince’s father failed to fulfill Henry’s promise to Chapman.

Tuesday 8 November 2016

Dr. Litvack's Date with Chennai

It was a memorable day by all means! Dr. Leon Litvack, kept his date with Chennai on 07 November for an impressive lecture on ‘Myth, Memory and Meaning’ at the University of Madras, - a thought-provoking and insightful lecture that was ‘spell-binding’ by all means.

The evening with Dr. Litvack was all the more wonderful, with the four of us having a lively and fruitful discussion that ranged from Folk Literature to Creative Writing, to the scope of the Humanities now and in the near future, and the Irish literary landscape vis-à-vis the Indian. 

Dr. Litvack did his Honours in Literature at The King’s College, London, [remember? King’s College, London, which has gone into the record books, for being the very first College that offered English Literature as a course of study, way back in 1828!] and well, Peter Barry was our source for that!

He talked about how the people from Northern Ireland were traditional and quite orthodox in their views, and how they differed from the South! Being the trustee on the Dickens’ Museum, he added that, they’re planning on having an exhibition in 2020 on Dickens and his oeuvre.

Sunday 6 November 2016

Ambai [C. S. Lakshmi] on her latest Book...

Blogger's Note: Well, students from MCC, especially those of you who did your Part II English in the Day Stream would be familiar with the very first poem that you had to do as part of your III Semester Programme - She by Lakshmi Kannan aka Ambai, a Tamil feminist writer. The poem depicts the emotional and psychological sterility of the woman at home, and her lack of self-expression in a patriarchal society. Ambai has now come out with her latest book titled A Meeting on the Andheri Overbridge, with her crime-solving protagonist Sudha Gupta.

Ambai talks to Jerry Pinto - 

On Mysteries and Detective stories in Tamil Fiction –
On Her foray into Detective Fiction
On Literature - Literature as a means for social change –
On Writers - A Writer and her righteous anger –
On Women - ‘A woman who knows what she wants will know how to extract the space for that’ –

Ambai (C. S. Lakshmi) has a new book out. A Meeting on the Andheri Overbridge (Juggernaut) is a collection of three longish short stories, translated by Meenakshi Subramaniam. What marks the difference is that these are detective stories, all starring Sudha Gupta, Mumbai resident, mother of one, employer of one (Stella), wife of one (Naren). This marks quite a change from what one expects from Ambai. Excerpts from an interview:

The literary origins of the detective story go back right up to Oedipus Rex, we are told, where the king must find the sinner/ criminal who has transgressed the moral order. Is there a similar lineage in Tamil fiction?

I think all epics and classical texts contain mysteries, for life abounds with mysteries. Kovalan of Silappadhikaram is beheaded for a crime he did not commit. Kannagi comes to the court of the Pandyan king to prove that the queen’s anklet with pearls was not stolen by her husband. She dramatically breaks the anklet and rubies spill out. Then there is the mystery of whose son Karna really was in Mahabharata . There is the abduction of Sita in Ramayana and the search for her. And there is the mystery of who Lava and Kusa really are. The interesting thing is that no one is really a sinner or a criminal but everyone is caught up in the eddies and spates of life.

The formal demands of the short stories you generally write are quite different from the demands of form in the detective story. Did you find reconciling the two difficult?

Saturday 5 November 2016

‘To Music, to becalm his Fever’ - Critical Summary

‘To Music, to becalm his Fever’ by Robert Herrick

Critical Summary

Introduction

Robert Herrick, a charming poet, was a disciple of Ben Jonson, and the Sons of Ben were not metaphysicals. Herrick never married, but a number of his poems are addressed to imaginary mistresses.

Of the seventeenth century English poets, Herrick’s work has the closest inherent relationship to music. It is melodious, and most of his poems have the character of song about them. Among his contemporaries, in fact, Herrick is called ‘the songwriter’.

On the Poem

Herrick’s poem ‘To Music, to becalm his Fever’ was included in Bissell’s In Praise of Music. This text would also be set to music by Paul Hindemith, and in 1952 by Ned Rorem from Flight For Heaven, No. 1.  It was written about 1660, when the poet was 70 years of age, and reflects Herrick's marriage of music and poetry.

At its most basic level, this is a poem of “passage” with music as the embracing catalyst. Memory research says that the last thing a person recognizes is touch and music. Music can distract, quiet the mind, make us laugh, remind us of past experience or relationships, soothe our soul, or transport us to another place. Poems extolling the soothing balm brought by sleep to those in need are numerous. ‘To Music: To Becalm His Fever’ stands out as the best in its class.

Song to Music for Slumber

To ‘charm’ something involves chanting a verse that supposedly has magic powers. Another meaning of charm is to ‘put to sleep’. Yet another meaning of charm is, to “put to sleep”.

The poet Herrick, in this poem pens an ode to Music, to charm him to sleep, as he knows that Music has the great power of putting him to deep slumber. Music is also personified as the balm or the panacea that can remove the sickness from the poet, by ‘killing’ his fever.